Updated September 5, 2014
First Posted June 3, 2014
We are continuing our research on the owls of Mesoamerica.
Owls are pictured in military scenes at Teotihuacan and hence in areas of Guatemala which was impacted by the military strength of Teotihuacan.
Owls appear in many tales of Mayan folklore, especially in the Popol Vuh. And owls are pictured in murals, stelae, ceramics, and on other artifacts. Thus it is helpful to learn more about owls.
Courtesy of zoological parks we are able to get good photos of owls, so we can study their exterior features.
We are also training several Mayan-speaking interns on rendering the owls as characters. Here is a rendition by a 15-year old Cakchiquel Mayan speaking intern: done with a Wacom tablet (first time she ever used a pen tablet, so you can notice that Maria Josafina has potential). Our drawings are intended to be for children as well as adults: we are not attempting to do scientific illustrations (notice this owl is imbibing sugar Cola). We wish to use the owls to present future books about cultural values.
Here is a Spectacled owl (Pulsatrix perspicillata)
We are pleasantly surprised, in the middle of the suburbs of Guatemala City, at 1500 meters elevation, to find a nice specimen of a bat (caught alive, and released alive, by our gardener). The photographs are by Sofia Monzon, of the FLAAR Mesoamerica photo team.
Here is a nice bat which lives in the FLAAR gardens, and came to visit the other day. We will invite Jose Cajas over, an experienced bat zoologist, to help find another so we can identify the species precisely.
Already we raise tailless whip scorpions, and real scorpions; diverse spiders (both inside and outside the office), meliponia (here, very tiny stingless bees), monarch and other butterflies, and a very rare miniature snake (looks like a worm; same size and shape as a worm but with head of a snake), plus opossoms and other local creatures.
We appreciate that Guatemalan bat specialist, biologist José Octavio Cajas Castillo, kindly took the time to suggest an identifation as either Lasiurus ega o L. intermedius, of the family Vespertilionidae (60 species of th is family en Guatemala). Understandably it would take personal inspection, in-hand so to speak, to ascertain which of the two species this specimen was. But to make sure the bat would stay healthy, we released it after photographing it. So we will have to find another to have time to allow José to get to the office.
Jose Cajas says these are insectivorous, amply distributed in Guatemala, but hardly ever available for study by biologists. Thus we are glad to have contributed scientific knowledge.
We do not allow the use of insect spray or other harmful chemicals in our ethnobotanical garden. We will now do additional studies to learn what kind of habitat will make these bats content to visit us, and learn what they need as a nesting area.
Already in 1994 Nikolai Grube and Werner Nahm brought up the idea of centipedes being a model for mythical Late Classic Maya creatures which had previously been accepted as skeletalized serpents. Then Erik Boot produced an unpublished manuscript on centipedes and serpents in 1999. Harri Kettunen and Bon V. Davis II have argued that the Maya creatures are a mixture of snake, centipedes, crocodiles, and even sharks (2004). Although published in 2004 this was a lecture presented in 2000, so they were not able to cite Taube's study of centipedes and serpents of 2003.
During 49 years in Mesoamerica I have learned that studies of the creatures represented in Maya art, in-person, can offer insights not available in even a peer-reviewed journal. For example, after finishing my PhD dissertation which included considerable discussion of water lilies in Maya art, I then spent a total of six years of seasonal field trips to Peten and Monterrico and my knowledge of water lilies is significantly improved. Fortunately my PhD dissertation was also based on field trips in the 1970's and early 1980's.
In other words, if you have the snakes, crocodiles, and centipedes available, in front of you, literally, it is easier to understand their features (in this case especially their dentition, which I assure you is painfully visible when you are physically inside the crocodile or caiman pen at the zoo). The snakes are put on our portable studio table by the helpful herpetologists. And to answer the logical question, yes, the snakes do (rarely) strike at us. Sophia almost got bitten last year. And twice I have woken up with a scorpion on my body (one in a hotel in Mexico; once again while doing field work at Nim Li Punit, Belize).
Images of two different scorpions, near Rio Dulce, Izabal, Guatemala. The centipedes and millipedes we will show later. We have also found another creature that was missed in all the articles about these multi-legged creatures.
Because experience has taught me that library and Internet research (for flora and fauna in Maya art) is not fully adequate, you will see that we are investing in more and more photo sessions with reptiles, centipedes, and scorpions during 2013. Our primary goal is to find the venomous centipedes. Every single person we speak with in Guatemala says they know of large centipedes, but until we have each species on our portable studio table, we are unable to further comment.
All our photographs will be made available to iconographers, epigraphers, zoologists, and students who are interested in these subjects. Please excuse the fact that due to the world economic situation, our budget is rather non-existent, and until a kind benefactor or foundation can assist our field trip research, we may be a tad slow processing the 21-megapixel digital images.
Updated January 2, 2013
First Posted December 26, 2012
Since so many snakes are pictured in Maya stelae, murals, ceramics, and mentioned in Maya myths it is helpful to have good photographic references for iconographers and epigraphers.
Bothriechis bicolor, this is one of the most poisonous species we took that day. We have to be very careful and be with a trained person, because the photos are taken within inches of the snake, photographed by Sofía Monzón.
Because of errors in identification of snake species, and confusion between dentition of reptiles and centipede pinchers, we are doing deeper research in reptiles and centipedes.
With the assistance of herpetologist Thomas Schrei we spent another day doing close-up photography of live venomous snakes in Guatemala City. We do this photography in a studio with soft (digital fluorescent) lighting to bring out the detail.
Since so many snakes are pictured in Maya stelae, murals, ceramics, and mentioned in Maya myths it is helpful to have good photographic references for iconographers and epigraphers.
Venomous Atropoides nummifer, of Guatemala. This snake and other local reptiles have scale coloration patterns which are models for snake monsters in Classic Maya art. There were many more snakes with this oVoVo pattern besides just the normal rattlesnake. Plus some non-venomous snakes mimic this pattern.
Photo taken with high-resolution camera, with the snake out of his cage (courtesy of herpetologist Thomas Schrei). This snake is fully alive.
Because of errors in identification of snake species, and confusion between dentition of reptiles and centipede pinchers, we are doing deeper research in reptiles and centipedes.
With the assistance of herpetologist Thomas Schrei we spent another day doing close-up photography of live venomous snakes in Guatemala City. We do this photography in a studio with soft (digital fluorescent) lighting to bring out the detail.
For years we have been on a search for documentation of what in the Popol Vuh story is romanticized mythical creation (such as a faux Sun God with golden attributes) compared with animals which are are actually zoologically correctly described in the Popol Vuh.
Let's take leaf-cutting ants. Millions of leaf-cutting ants are known for all of tropical Mesoamerica. You can see these at Tikal, Seibal, El Mirador, Yaxha, Dos Pilas (all in El Peten, Guatemala), and Copan in Honduras. But the Popol Vuh clearly and specifically states that leaf-cutting ants steal flowers from the garden of the evil Xibalba deities.
So for the last four years we have gone out into the rain forests of Guatemala, El Salvador, and Guatemala, to search for the reality. Do leaf-cutting ants really harvest flowers?
The Popol Vuh even says that some ants climb high in trees to get flowers from the tree tops. And that other ants gather flowers already fallen onto the ground? But then the ants are not "cutting" the flowers if already on the ground. Yet their zoological designation is known around the world clearly as "leaf-CUTTING" ants.
Row of zompopos carrying the long tubular segments of Pachira aquatica flowers; the other ants carry leaves, but the long brown forms are parts of the zapoton flower, Photo by Nicholas Hellmuth, high-res digital camera.
We used a 21 megapixel Canon EOS 1Ds Mark III camera, 100mm macro lens, two different kinds of macro flash to record the zompopos. Recently the Missouri Botanical Garden in St Louis had an exhibit of about 20 of our high-res digital photographs of these ants.
Please return later this year and we will reveal what we found during months of field work over four years.
We have abundant information on rabbits in Maya art. Mayanists are long familiar of the role of the male Rabbit Companion with the very female young Moon Goddess. But how many Maya iconographers or epigraphers or archaeologists have had a wild species of Maya rabbit in their hands?
The rabbit you see here is actually the first time in my 49 years in Guatemala that I have seen a native species of rabbit. We are now doing a DNA test on its fur to determine what species it is. It refused to eat carrots or bunny rabbit food, and definitely did not come from a pet store!
Since we are also working on owls, leaf-cutting ants, and felines, it may be a few weeks before we add a new page and new full-color PDF on the Maya Rabbit Companion, but we have plenty of interesting facts both on actual wild rabbits in Mesoamerica as well as on rabbits in stelae, altars, sculptures, ceramic vases, plates, and bowls.
We also have some surprise information on butterflies and their relationship with certain plants of importance to diet in Mayan villages.
